Plum
Hollie McNish
Plum
PICADOR
as if a million views on YouTube
means those poems are the best . . .
if I’d shat into a bucket
I’d have ten million views instead
– Hollie McNish
for everyone in here
and out there
but especially for Aunty June
and the knitting bee
Contents
(mind)
How The World Should Be
DANDELIONS
LOVE
LOVE!
God
MIDNIGHT MASS
TRAP
Cold
Ice
extract from And Now He’s Going to College
AN UNNECESSARY CUP SIZE
MACARENA
ON BEING A TEENAGE GIRL IN THE COUNTRYSIDE
YANKING
MR KENT
TRAINING DAY AT BOOTS THE CHEMIST
UNLIKE THE LADS
ORGASM
extract from PMT
extract from Naked Insecurities
Blonde Jokes
NUMBER SEVEN SEVENTH HEAVEN BURGER
ESCAPING THE BULLIES
WORKING IN THE PHOTO DEPARTMENT OF BOOTS THE CHEMIST
NO BALL GAMES
Politicians
extract from Désirs
POLITE
TEAMMATES
SAFE SEX EDUCATION
HOT DOGS
SIDE EFFECTS OF BEING TWENTY-ONE AND TOO EMBARASSED TO BUY A CONDOM OVER THE COUNTER FROM AN OLD MALE SHOPKEEPER IN FRANCE
VOLUNTEERING IN A CAMBRIDGE BOOKSHOP
Language Learning
Beautiful
BECAUSE THAT’S WHAT YOU DO
WATCHING MISERABLE-LOOKING COUPLES IN THE SUPERMARKET
AFTER PARTY / AFTER BIRTH
THOUGHTS WHILE WATCHING A BABY GROW
ASPIRATION
DIVORCE PARTY
CALL ON ME
WHEN WE GOT TO THE BEACH
Rules for Turning Thirty
OASIS
WHILE YOU CAN STILL DANCE
BIRTHDAY LETTER
MIDSOMER MURDER
FAIRYTALES
RESOLUTION
AND WE TALK
DRESSED
HICCUPS
PLASTIC BOTTLES
BLOOD AND WATER
FROZEN
FINE
VOLDEMORT
NIPPLES
SWEAT
LADY
COCOON
BEES
DUCKS
DUNG BEETLES
MAN
A DEAD PIG, I MEAN?
SHRINKING
LITTLE THINGS
PICKING PLUMS
(body)
i head
ii mouth
iii shoulders
iv breasts
v belly
vi vulva
vii bottom
viii feet
(mind)
How The World Should Be
(first poem I wrote down, aged 8)
After a school litter picking-trip
Meadows yellow, brown and green.
Rainbows in the sky.
No litter on the grass or fields.
Butterflies flutter by.
River water sparkly clean.
No pollution in the air.
That’s how the world should be.
So try to take more care.
DANDELIONS
(written aged 30)
For mum and your advice:
‘I love you to the moon and back, Hollie
but you are no more important than a tree’
when it all seems too much
and i wonder why we’re here
and i think about the sun
and i wonder why it’s there
and my daughter points to space
and the emptiness upsets me
and i lament my lack of god
and i wish that one would find me
and i worry what is out there
and i wonder what the point is
and i panic about death
and i panic it’s all pointless
and i wonder when space stops
and what the fuck we’re on this rock for
i think of strawberries in the summer
firmed and ripe and juicy
and how perfectly dandelion seeds
are made to helicopter breezes
procreating across fields
and i remind myself
this is not all about you, hollie
LOVE
Mum held out her palm that day. Runner-bean seeds. I was about eight years old and my brother ten. Mum marked us a small patch of soil each and we shoved our index fingers poke by poke into the dirt, dropping one seed into each hollow. We danced across the garden, watering cans tumbling. We waited impatiently. We made the seed sachets into flags, sellotaped to lolly sticks. We labelled them in our best writing. Then we stood back, triumphant as our own moon-landing marks.
Each day after school we ran out to watch, as ever so slowly sprouts crept through the soil. Mum stuck in a gigantic wooden pole amongst each of our patches of shoots and we fidgeted as plants began winding their way up. My brother noticed flowers first, orange bursts which soon blossomed and stuck out their runner-bean tongues at us.
We stuck our tongues out too.
My brother began to pick and crunch. I huffed. Mum said some things take more time, Hollie as I wracked my brain for what I had done wrong. Not one flower. I watered; waited some more. Then one morning, my brother squealed, raced into my bedroom, grabbed my hand and ran me excitedly outside. From nothing, my plant had very mysteriously sprouted twenty, if not more, identical and gigantic runner beans over night
I didn’t question it
just stared – held my brother’s hand
beaming with delight
i hadn’t seen you in your nightie, mum
sneaking out in moonbeams, clutching
torch, bought beans and sewing kit
i didn’t see the threads at first
green, camouflaged
meticulous, your running stitch
i didn’t see your slippers soiled;
back hunched, weary
in that tricky light
just stood with my big brother
held his hand tight;
loving life
LOVE!
(written aged 9)
I got given a big sheet of stickers one day when I was nine. One of the stickers was of two parrots staring at each other with a glittery red love-heart between them. The parrots were lined thickly in bright sparkling gold. I felt straight away it was the most magical sticker I had ever been given. I wrote a poem for my mum and dad and nervously titled it ‘LOVE!’. I remember feeling very grown-up and carefully sticking the parrot sticker to the left of the title to mark how serious I was about this. I thought the line ‘love is the poor man selling the beer’ was really cool. I had never seen an old man selling beer. I still haven’t. I don’t know if it even exists as a job. But I liked that line a lot back then because it had alcohol in it, something I knew I wasn’t really meant to talk about. After writing the last line, I immediately chickened out of giving it to mum or dad. I put it into a maroon folder and hid it under my bed, feeling embarrassed I’d written it and petrified someone would find it. A few days later I moved it into a separate ‘secret’ pocket at the back of the folder.
Love is the moonlight shining clear gold,
Love is the beauty you cannot hold,
Love is the flower that shines on your face,
Love is silk and love is lace,
Love is the ship sailing on by,
Love is the su
nset that brightens the sky,
Love is the birds that nest in the trees,
Love is the soft, whispery breeze,
Love is the fire bringing warmth to your heart,
Love is the people that will never part,
Love is the oak tree, standing alone,
Love is the pebble, love is the stone,
Love is the animals all over the world,
Love is the star, silvery pearled,
Love is the beauty in which I seek,
Love is the old man, poor and weak,
Love is the wind blowing around,
Love is the grass on the ground,
Love is the river, shallow and clear,
Love is the poor man selling the beer,
Love is the rain, love is the snow,
Love is the one thing that will never go,
Love is the story you are told,
Love is the warmth, love is the cold,
Love is the torch leading the way,
Love is the thoughts you have every day,
Love is the sea, frothy and blue,
Please believe me, I love you.
God
(written aged 10)
After the first Christmas Eve midnight mass I remember
God is all forgiving.
He only wishes well.
But if he doesn’t like you
I’m afraid you burn in hell.
MIDNIGHT MASS
(written aged 30)
i still remember the look he handed me with the bread
said those who do not eat it
will go to hell
said those who do not believe
will go to hell
said those who eat it for false reasons
will go to hell
i wondered sitting sweating
what was worse –
knowing i was going
– or showing everybody else
TRAP
the woods were dressed in autumn
we were eight and nine and twelve and ten
we dug a hole to catch the grown-ups in!
(criss-crossed twigs, laid leaves on top)
we hid, spying from our holly den
we dug a hole to catch the grown-ups in!
the dog fell in; broke her leg
silently we hung our heads
– headed slowly home
the crunch of each leaf underfoot
now clear as cracking bone
A lad I was ‘seeing’ at school called me an ice queen when I was about thirteen. Not viciously, just a defensive shun after, I think, I either pulled out of snogging while walking awkwardly holding hands round the netball court at break – or didn’t want to get fingered at the house party/bowling alley/quasar centre. Something like that, I can’t remember the exact event. All I know is that I took it on board far too deeply and for years afterwards wrote poems comparing myself to cold things or things that needed to defrost, then later, poems about how love had finally melted me.
Cold
(written aged 13)
I am an ice cube,
I am new lying snow,
I fall into my angel
And I’m never gonna go.
I’m winter waters,
Below the frozen lake,
I’m hail and I’m sleet.
I am the first snowflake.
I am a tub of ice cream
Waiting frosty to be sold.
I am a carving chipped from ice.
Basically, I’m cold.
Ice
(written aged 14)
I am an ice cube waiting to melt
My coldness will thaw
As I fall to the floor
And my softening trickles be felt.
I’m a flower waiting to be smelt.
extract from And Now He’s Going to College
(written aged 17)
Now he’s going, thinks he knows me
Wasted time, never unfroze me
Never felt the willing heat from me
Can’t melt impossibility
Never felt. Frosted eyes can melt
Stomach sick and sore
I long to thaw the rest
AN UNNECESSARY CUP SIZE
One of my strongest memories of early secondary school was in Year 7, sobbing silently in the girls’ loos as I tried on a bra for the first time. I didn’t want to ask my mum or any grown-up to take me shopping for one because I had no physical reason to wear one and I already had some crop tops. I wrote to my cousin Tracy instead. She sent me a parcel down from Glasgow with an old bra of hers. I remember it more vividly than any other item of clothing I’ve had: a proper bra with a proper pingable bra strap, white cotton, a tiny metal clip on the back and small pinky-red strawberries printed all over it. I never thanked Tracy as much as I wanted to. I took it into school with me to try it on. I’ve never felt as strange in my skin as that day. Perhaps pregnancy, but at least I could talk about that more openly and had lots of complimentary support. Morphing into an adult’s body feels so odd. I tried to capture it here, but I can’t.
i hoped that my embarrassment would dissolve into grown-up-ness
instead i stood all lunch break long – examining this fledgling flesh
in the blessed space of cubicles – oh sacred locks allowed in school!
– girls’ loos, shirt off, muffled sobs what a stupid fool
my backbone pinched so many times, as schoolboy flirting searched our shirts
i did not need a bra yet. fact. chest flatter than the misread earth
i rubbed the stretchy straps between my fingertips in slight disgust
unclipped the metal clip slipped it on clipped the clip back up
unclipped the clip again as fast screwed it up clenched the ball
teardrops licked mascara fixed i strolled across the hall to class
translucent shirt-back faced the lads absorbed their eyes i stared ahead
tried to solve the fractions nipples palpable as pencil lead
because i want a strap for boys to ping was no reason for a first bra trip
i shut my bedroom door that night waited for the hall to dim
silence mirror bedside lamp
clip unclip clip unclip clip
MACARENA
the lips we opened at the school discos tasted of sweeties
as tongues slipped in uncomfortably
manoeuvring saliva around each other’s throats
pushed too deep inside, at times, we gagged
music-tempo-shift-signals-mid-school-disco-slow-dance
now little boys recoil to
line the edges of the room
– a centrifugal dread
the girls – darted to the loos –
eventually sneak back
half the track now passed
vomit rising just below a gag
as the mini men now ask
the mini women for a dance
some nervous laughs
till timid arms
touch behind each other’s backs
kangol flat caps now flipped back
kappa caps like finishing-school books
balance high on curtained heads
‘I’m gorgeous’ gold logo tops
stretch across girls’ chests
attempt at sexiness
short boys dance with left ear pressed on taller girls’ ‘breasts’
shorter girls use taller boys’ shoulders as chin rests
boys and girls not dancing, watch. mock. deny distress
oversized US basketball vests almost reach the boys’ ankles
feet piddle round
in pathetic, clumsy, magnificent, circles
to east 17’s best lullaby
brian harvey may be a skank, we’d concede,
but tony mortimer is a piano genius
two minutes
torment
bliss
before the macarena kicks in
lines of us n
ow grinning
follow suzanne
changing moves from
two hip-holds
and a half-turn jump
to two pats of our crotch
and a fake lick of our palms
to mimic cunnilingus
we giggle consciously; the boys stare
none of us knowing how it actually goes down
down there
then we race to the tuck shop;
um bongo and gummy bears
ON BEING A TEENAGE GIRL IN THE COUNTRYSIDE
waiting was the worst
mud on our shoes – scuffed
arm to arm – elbows interlocked
as we lined up at the far edge
of the furthest field
like a flimsy hawthorn hedgerow
we’d seen that tractor
yielding pace from danni’s garden
we raced the public byway path
turnstiles turned
scaled the padlocked gates
our smiles and panted laughter
fading into nervous breaths
as the speck on the horizon widened
panicking in case he caught us
before everybody was ready to
go!
trousers then pants pulled low
as fourteen fourteen-year-old arses
signalled flesh across the field
then
sprinting
back
to danni’s house
before
he had a chance
to tell us off
looking back now
he probably liked it quite a lot
YANKING
For a very good friend still!
apparently
‘up and down’
did not mean
like a lever
like a door handle
like a joystick
like a casino slot machine
it meant
up and down
fingers curved around
gentle strokes from shaft to tip
we only learnt this
after she had tried
the alternative
yanking motion
and almost snapped
her boyfriend’s dick
we gathered; listened
stroked her back
our impulse-perfumed shirts